. . .will be available tomorrow, September 11th, 2013!
Well “ROMEO” (my YA paranormal modern-day Romeo + Juliet love story) hasn’t exactly been knocking Agents off their feet despite the fact I’ve been trying to sell them on the idea that ROMEO is a fresh and one-of-a-kind story as well as uniquely written as ROMEO reads in the same fashion as William Shakespeare’s play, Romeo + Juliet.
Now I’ve pondered on why I haven’t exactly received invitations from Lit Agents to submit further material on ROMEO, and I haven’t came up with much answers. Perhaps Agents consider ROMEO to be a knock-off. . .maybe so, but you can’t discount novels like I,DRAKULA or CINDER or RED RIDING HOOD, re-written classics with a unique spin to them. Or perhaps it is what one potential Agent quoted when I pitched her LAST BITE! my last YA novel, and why she couldn’t take it on even though she was ecstatic on the idea-editor vampire fatigue. Or perhaps it’s the timing, the economy; maybe word count plays a factor or maybe the market is too flooded with YA paranormals, or maybe, and perhaps my last conclusion, a weak query? Now while all those may play a factor, in my opinion, and what I’ve read considerably, the YA genre, regardless of sub-genre, and is as of this moment the biggest seller when it comes to books. So yeah, in that sense, the market is there, the Agents are there, I just think (and I as I stated before) it’s the “timing”. I would like to assume, or speculate, that Agents have their good days and their bad days when it comes to reviewing queries or submissions which play a major role when it comes to deciding on whether to request material on a query or reject the query entirely despite the fact that it could very well be a best-seller. I will admit though that It brings me great comfort in knowing that what I’ve just IMO’d above may harbor some truth.
So in the meantime I’ve decided to self-publish ROMEO. And if it sells pretty well, then maybe I can re-pitch it to Agents and perpahs gain representation, with fingers crossed, of course!
Back in February 2011, I completed a novel titled “Growing up Traffic” now re-titled “HUSH” about suburban teens subjected to prostitution by other suburban teens. Unfortunately this novel was not what some agents were looking to represent, and other agents who took an interest suggested that I tone down the novel as it was graphic and somewhat intense due to the nature that my MC is only 14 years old. But because I was reluctant to do just that, simply because I felt it would only take away from the premise of the novel itself, I decided to leave the novel “as is”. Since it has been sitting on my shelf (aka, flashdrive) I decided that I would either do one or the other: Self-publish or publish it here in 2 Chapter increments at a time, three times a week. So I’m going to do both.
Before I start publishing, a quick warning to the fainthearted: This novel does contain scenes of physical abuse, violence, drug abuse, kidnapping, child sex exploitation, and graphic scenes of rape, gang-rape and incest.
Your comments are welcomed, good or bad, and will post once out of moderation. I thank you for reading, and for allowing this piece to shine here.
Devlin De La Chapa
———-NOVEL FOLLOWS THIS POST BELOW———-
Over the weekend I read Keith Gessen’s article in this month’s (October) issue of Vanity Fair, “The Book on Publishing”. And while I was anticipating reading about the author in general, Chad Harbach who spent a decade (10 years to those not yet familiar with the word “decade”) writing and revising his now famed published novel, “The Art of Fielding”, I was not prepared for the reality of where the publishing industry is actually heading. . .And I must say, it is an eye opener to those not yet familiar with the publishing industry.
Aside from delivering a great piece on Chad Harbach’s struggle to getting his novel published, Gessen’s article was not only informative and insightful behind the production of the book, he also imprinted a rather haunting reflection of where the publishing industry may be heading. . .out of print.
With the digital age having been fast approaching since the late 2000, it’s hard for struggling writer’s, such as myself, to believe, and with the economy still in a flux, that my novels will never make it to print, only digital.
While there is nothing eccentrically unethical with reading books online or within a reader because of their convenience with virtually no driving to the nearest bookstore or waiting in long lines to purchase the latest best-sellers, I would be the first to say that I would honestly miss the feel of turning an actual page, miss the feel of paper between my fingers. Or to say, I would miss the touch of a shield cloth protecting a great masterpiece, or holding something treasured, or owning something that could possibly be post-Americana Art.
I have been writing for the past thirty years. I only began pursuing my writing seriously in the last five years, and I must express this in grief and heartache because I can honestly see my lifelong dream of becoming a “traditional” author slowly succumbing to a “digital” author.
I will be the first to admit that I have dabbled-thus far, and with no success-in self-publishing a couple of novels online, with downloading capabilities to Kindle, Epub and PDF. And the only way I felt my novels could’ve gained marketable and profitable recognition had they been first traditionally published within a publishing house, offering the option of digital print. Self-publishing, I find, is a very competitive business particularly when contending with other self-publishers whom are flooding the market at a vast rate.
So I guess the question here is: Is digital print the way to go? Perhaps with the ever constant growth of modern day technology, digital publishing may no longer be the alternative to print as print could just possibly become. . .the alternative.
You can read Keith Gesson’s article in its entirety at http://www.VF.com.